Canon PowerShot SX100 IS

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What you need to know

We like:

Full set of manual exposure controls; optical image stabilisation; electronic lens cover

We don't like:

Too easy to accidentally click instead of scroll when navigating; no optical zoom in movie capture

CNET.co.uk judgement:

Though the Canon PowerShot SX100 IS produces excellent photos, other aspects of the camera -- some performance issues and operational annoyances, to name two -- dim its lustre

Score:

7.3 Very good

Full Review

Reviewed 2 November 2007

Reviewed by Lori Grunin

Canon's last-generation PowerShot S3 IS remains quite popular despite the release of a new model, the S5 IS, while similarly priced competitors, such as the Panasonic Lumix DMC-TZ3 and Kodak EasyShare Z712 IS garner lots of attention from CNET.co.uk readers. So it should be unsurprising that both Canon and Sony decided to release models specifically targeting that magic price.

Priced around £225, Canon's PowerShot SX100 IS slips into the market a tad later than Sony's Cyber-shot DSC-H3, but like that model inspires more thoughts about its tradeoffs than its attractions.

Design
We have to admit, one of the SX100's biggest lures is its relatively compact size. Though still relatively large compared with the smaller megazooms like the H3 and the TZ3 -- it weighs 266g and will fit into a jacket pocket, at best -- it's still considerably smaller than the S5 and S3.

Part of the size savings likely stems from the shorter, though still optically stabilised, 10x, f/2.8-4.3, 36mm-360mm zoom lens (compared with 12x for its bigger brothers). However, it uses the same 8-megapixel sensor and 64mm (2.5-inch) LCD as the S5 IS.

The camera remains large enough to hold comfortably, though the grip itself could be a smidgen bigger and a lot less slippery. Encased in plastic, the SX100 nevertheless feels quite solid and sturdy. It also has a far more efficient layout than its siblings, with little sacrifice of shooting controls. And a big 'yay!' for the electronic lens cover -- there's no reason we should still have to suffer with those dangling plastic annoyances that pop off when you don't want them to and don't pop off when you do.

A mode dial and zoom switch sit on top of the camera, with PictBridge, face detection and display and menu buttons beneath the LCD. To the right of the display, a navigational scroll wheel has top, bottom, left and right pressure points for ISO, focus -- manual and macro, flash and drive mode.

Dedicated exposure compensation and review buttons plus a Func button to pull up shooting settings, round out the controls. We're usually big fans of scroll wheels, but we find the SX100's maddening -- a mistaken twitch of the finger and we frequently end up clicking on one of the four options instead of scrolling through shutter speeds.

Features
To give Canon credit, the SX100 retains many of the controls found in the S3 and S5. Manual controls tend to fall by the wayside in this camera class. There's still a full complement of manual and semimanual exposure modes, flash and exposure compensation and three-metering modes.

There's also the de rigueur handful of scene modes, plus a decent face detection mode that lets you scroll through found faces to select one. It still takes longer to use than simply picking a face and focusing on it.

You do forgo an electronic viewfinder, support for add-on lenses and a hot shoe with the SX100, though we doubt many potential users would really miss any of them. More irritating is the downfeatured movie capture mode. It does VGA, 30 frames per second movies, but optical zoom doesn't work while shooting them, and the nice separated stereo mics of the S3 and S5 have been replaced with mono sound.

Performance
While the SX100 gets decent marks overall for speed, it does have some borderline performance issues that earned it some ratings demerits. It wakes and shoots in a reasonable two seconds. Its shutter lag for high and low-contrast scenes -- 0.5 seconds and 1.7 seconds, respectively -- are typical for this class, as is its 1.7-second typical shot-to-shot time.

Shooting speed (in seconds)
(Smaller bars indicate better performance)
Typical shot-to-shot time
Time to first shot
Shutter lag (dim)
Shutter lag (typical)
Sony Cyber-shot DSC-H3
1.3
1.8
1
0.4
Canon PowerShot S3 IS
1.7
1.5
0.8
0.4
Canon PowerShot S5 IS
1.6
1.3
0.8
0.5
Canon PowerShot SX100 IS
1.7
2
1
0.5
Panasonic Lumix DMC-TZ3
1.3
2.3
1.3
0.6
Fujifilm FinePix S700
3.3
1.3
2.2
0.6

 

Typical continuous-shooting speed (in frames per second)
(Longer bars indicate better performance)
Panasonic Lumix DMC-TZ3
2.5
Sony Cyber-shot DSC-H3
2
Canon PowerShot S5 IS
1.6
Canon PowerShot S3 IS
1.5
Canon PowerShot SX100 IS
0.8
Fujifilm FinePix S700
0.5

 
However, shot-to-shot time jumps to 4.3 seconds once you enable the flash, a seriously slow figure we haven't seen for several years. And burst shooting runs a mere 0.8 frames per second, which barely exceeds the single-shot shooting speed. Finally, the LCD is good, but not terrific and not always easy to see in bright sunlight.

Image quality
What the camera sacrifices in speed, however, it makes up for in photo quality. Perhaps it's just the result of an extra few months of tweaking since the S5 shipped, but the SX100's photo quality, especially at higher ISO sensitivity settings, clearly improves upon its siblings.

At ISO 800, for example, there's far less of a mottled look in the SX100's shots, but with no increased loss of detail. The new lens has better distortion characteristics -- less distortion and more symmetry -- and photos look sharp without looking oversharpened.

While there's a bit of magenta, yellow and purple fringing, it's not nearly as severe in the SX100's photos as those of the S5 (or S3). Plus, the good aspects of those models' images -- predominantly excellent exposure and colour -- highlight the SX100's photos, as well.

Conclusion
Despite its arguably best-in-class photo quality, the Canon PowerShot SX100's spotty performance, disappointing movie capture and occasionally frustrating design keep it from earning a no-brainer recommendation.

Additional editing by Shannon Doubleday

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